Interactive Classic Orchestra & Rap’em high (Disco Fever)

[vc_row][vc_column width=“1/1″][vc_custom_heading auto_text=“yes“ heading_semantic=“h3″ text_size=“h1″]This is a custom heading element.[/vc_custom_heading][/vc_column][/vc_row][vc_row][vc_column width=“1/2″][vc_column_text]Die Formate „Interactive Classic Orchestra“ und „Rap’em high“ waren ab dem ersten Sendetag fester Bestandteil der „Piazza virtuale”. In den Sendungen wurden die eingehenden Touch-Tone-Signale der Telefone der Anrufer zum interaktiven Musizieren verwendet. Hierfür wurden die Töne der Wähltasten durch Computer an Synthesizer, die Instrumente imitierten, weitergeleitet und diese somit bespielt. „Rap’em high“ war zunächst unter dem Titel „Disco Fever“ gestartet, jedoch bereits nach einer Woche Sendebetrieb umbenannt worden.[/vc_column_text][/vc_column][vc_column width=“1/2″][vc_raw_html]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[/vc_raw_html][vc_column_text css=“.vc_custom_1620383017809{margin-top: 0px !important;}“]Videoclip der interaktiven Musiksendungen
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Komplettes Interview mit Manuel Tessloff

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Aufnahmen aus dem Studio-Container in Kassel (Foto: Ali Altschaffel, altschaffel.com)

[/vc_column_text][vc_row_inner][vc_column_inner width=“1/4″][vc_single_image media=“85990″ media_lightbox=“yes“ media_width_percent=“100″ media_ratio=“four-three“][vc_column_text css=“.vc_custom_1620383329922{margin-top: 0px !important;}“]Demonstration eines frühen Prototyps der Musikprogramme[/vc_column_text][/vc_column_inner][vc_column_inner width=“1/4″][vc_single_image media=“85994″ media_lightbox=“yes“ media_width_percent=“100″ media_ratio=“four-three“][vc_column_text css=“.vc_custom_1620383336166{margin-top: 0px !important;}“]Julian Boyd im Musikstudio in Kassel[/vc_column_text][/vc_column_inner][vc_column_inner width=“1/4″][vc_single_image media=“85992″ media_lightbox=“yes“ media_width_percent=“100″ media_ratio=“four-three“][vc_column_text css=“.vc_custom_1620383342547{margin-top: 0px !important;}“]Julian Boyd im Musikstudio in Kassel[/vc_column_text][/vc_column_inner][vc_column_inner width=“1/4″][vc_single_image media=“85991″ media_lightbox=“yes“ media_width_percent=“100″ media_ratio=“four-three“][vc_column_text css=“.vc_custom_1620383348542{margin-top: 0px !important;}“]Manuel Tessloff und Indulis Bilzēns im Musikstudio in Kassel[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column width=“1/1″][vc_raw_html]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[/vc_raw_html][vc_column_text css=“.vc_custom_1620383041589{margin-top: 0px !important;}“]Hinter den Kulissen im Tonstudio der Piazza virtuale, 1992[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=“1/1″][vc_column_text]Dokumente
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